Timeline of Artifacts
BP stands for (years) Before Present, defined as January 1st, 1950.
~300,000 BP
Middle Paleolithic (300,000–50,000 BP)
~300,000 BP
Edge-ground chip of pigment
The fragment is from the top spit (0–5 cm) of stratum 8 in square S29, which is within the top 10 cm of secure Acheulean deposits in that square. The context is significant because it is one of the few pieces of evidence suggesting pigment use in the Acheulean period. The piece is described as a "tiny fragment" and its provenance is uncertain due to the potential for displacement from the overlying LSA deposits. The authors note that while the striations are consistent with grinding, the evidence is not definitive, and the fragment could have been displaced. The authors also note that the piece is from a context where the stratum is overlain by a thin (~5 cm) presence of stratum 7, which is an LSA stratum. Despite this, the authors consider this to be the best evidence for pigment use toward the end of the Acheulean sequence at Wonderwerk.
~250,000 BP
PAY.93 (Yellow Ochre)
PAY.93 is a yellow ochre piece from the Howieson’s Poort layer PAY at Klipdrift Shelter, while PBD.373 is a ferricrete piece from layer PBD. Yellow ochre is a natural clay earth pigment composed of hydrated iron(III) oxyhydroxide (limonite), which gives it a yellow color. It is one of the oldest pigments used by humans, with evidence of its use in prehistoric cave paintings dating back to 35,000 years ago. The pigment is significant in art and culture, symbolizing life and fertility in some cultures, and has been used in ancient cave paintings, pottery, wall paintings, and cave art. Yellow ochre is also used in modern art, where it is valued for its lightfastness and versatility across different types of paint. The pigment's warm golden tone has remained a favorite throughout human history.
~200,000 BP
Qafzeh Shell Beads
The shells found in Qafzeh Cave are bivalve shells of the species Glycymeris insubrica that were collected from the Mediterranean coast about 35 kilometers away. These shells were brought to the cave and show signs of human use, including natural holes in the umbo that were likely used for stringing. Some shells have red ochre stains on both the inside and outside surfaces, indicating they were worn as ornaments. The shells were not associated with human burials, suggesting they were used for personal adornment rather than as grave goods. This is an interesting distinction between adornment in life and death. The presence of ochre and the intentional collection of shells for decorative purposes reflect symbolic behavior. This evidence supports the idea that early modern humans in the Levant engaged in symbolic activities such as self-decoration much earlier than previously thought. The shells are significant because they provide some of the earliest known examples of shell ornaments used by modern humans, offering insight into the development of symbolic culture.
~100,000 BP
Blombos Engraved Ochre Block

This 77,000 year old ochre block excavated from Blombos Cave by Christopher Henshilwood is among humanity’s oldest carved objects. Humans began manufacturing paint in Blombos cave over 100,000 years ago. By 77,000 years ago they were carving patterns onto objects. The ochre block is on display at the Isiko Museum in Capetown, ZA.

The ochre blocks found at Blombos Cave are pieces of iron-rich mineral that were deliberately engraved with geometric patterns by early humans. The most famous example is a 77,000-year-old ochre block featuring cross-hatched designs made with carefully incised lines forming distinct patterns on the surface. More than 8,000 pieces of ochre have been recovered from the Middle Stone Age levels at Blombos Cave, with over 1,500 pieces measuring 10mm or longer, many showing intentional use and processing marks.

In 2002, researchers reported two finely engraved ochre pieces from the Still Bay units (around 70,000-75,000 years old), both featuring cross-hatched designs combined with parallel incised lines. By 2009, six additional engraved ochre pieces were announced, spanning the entire Middle Stone Age sequence dated between 70,000 and 100,000 years old. The surfaces were intentionally modified by scraping and grinding before the patterns were engraved.

The engraved ochre pieces represent some of the earliest forms of abstract representation and symbolic behavior ever recorded. They demonstrate that early humans were capable of creating conventional designs and maintaining symbolic traditions. These discoveries challenged the long-held belief that art and symbolic thinking originated in Europe around 40,000 years ago. The Blombos evidence shows that abstract representations were being made in southern Africa at least 30,000 years earlier. The geometric patterns suggest modern cognitive abilities, including the capacity for symbolic thought, planning, and the transmission of cultural knowledge across generations. The consistency of designs across different time periods indicates a continuous symbolic tradition in the region.

Beyond symbolic purposes, ochre at Blombos served various functions, it was ground into powder to make paint (possibly for cave or body painting), and may have had practical uses as an ingredient in adhesives, skin protection, hide preservation, or medicine.

The site also contained a 100,000-year-old ochre processing workshop with complete toolkits, demonstrating sophisticated knowledge of chemistry, long-term planning, and the ability to create and store pigmented compounds. This represents the first known instance of deliberate planning and production of a pigmented compound using containers.

~75,000 BP
Nassarius kraussianus Beads
The Nassarius kraussianus shell beads from Blombos Cave are among the oldest known personal ornaments, dating to about 75,000 years ago. They were made by early Homo sapiens in South Africa during the Middle Stone Age. The shells were carefully perforated using a bone tool, likely an awl, by pushing it through the aperture. This method is supported by experimental evidence and microscopic analysis showing specific wear patterns. The beads show signs of being strung and worn, with smooth edges and facets from friction. The shells are larger than those found in later periods, indicating a deliberate selection of size. The beads are dark in color, unlike the white or pale beads from later periods. They are found in groups, suggesting they were part of a single piece of jewelry that was lost or discarded. The study shows that the beads are not the result of natural processes or contamination from later layers. The findings support the idea that early humans in Africa had complex symbolic behaviors and modern cognitive abilities.
~60,000 BP
Diepkloof Ostrich Eggshell Containers
Ostrich eggshell containers from Diepkloof Rock Shelter in South Africa, dating to about 60,000 years ago, represent the earliest known evidence of a graphic tradition involving engraved abstract patterns. These fragments, numbering over 270, were intentionally marked with repetitive linear motifs such as hatched bands and parallel lines, indicating a standardized system of symbolic representation. The engravings were made on functional items that were likely used as water containers, as evidenced by perforations suggesting they were used to store liquids. The deliberate choice of ostrich eggshell as a medium, combined with the consistent application of geometric rules, suggests a complex social and cognitive system where symbols were used to communicate collective identities and individual expressions. This tradition, found only within the Howiesons Poort phase of the Middle Stone Age, provides compelling evidence for symbolic behavior and behavioral modernity in early humans. The presence of these engravings on everyday objects, which were curated and used in daily life, indicates that symbolic practices were deeply integrated into the social fabric of these hunter-gatherer communities. The diachronic changes in the dominant motifs suggest a dynamic cultural tradition that evolved over time. The discovery of this engraving tradition at Diepkloof is significant because it is the largest and most well-documented collection of its kind, offering a rare opportunity to study the emergence of graphic traditions in prehistoric societies. The fact that these engravings were made on containers that were likely used for practical purposes, such as carrying water, highlights the integration of symbolic expression into daily life. This tradition is considered the earliest reliable evidence of a widespread modern practice, demonstrating that early humans had the cognitive capacity for symbolic thought and complex social interactions. The use of ostrich eggshell as a medium for decoration is particularly significant because it is a uniform and easily oriented object, which facilitated the development of standardized geometric rules for engraving. The presence of these engravings on functional items, rather than on ochre or bone, underscores the importance of symbolic communication in the context of daily life. The discovery of this tradition at Diepkloof provides unequivocal evidence for the existence of symbolically mediated social behavior and the development of a behaviorally modern system by 60,000 years ago. The unique nature of this tradition, which has not been found at other Howiesons Poort sites, suggests that Diepkloof was a center of innovation and cultural development during this period. The study of these engravings has provided valuable insights into the cognitive and social capabilities of early humans, demonstrating that they were capable of creating and maintaining complex symbolic systems. The tradition of engraving ostrich eggshells at Diepkloof is considered a key piece of evidence in the ongoing debate about the emergence of modern human behavior.
Upper Paleolithic, Epipaleolithic, Neolithic, and Bronze Age (42,000–3,000 BP)
~42,000 BP
Geißenklösterle Bone Flute
The bone flute discovered in Geißenklösterle cave in southern Germany is one of the oldest known musical instruments, dating back 42,000 to 43,000 years to the Aurignacian culture of the Upper Paleolithic period. Made from bird bone and mammoth ivory, it provides evidence that early modern humans in Europe were creating music and art simultaneously, suggesting advanced cognitive and social behaviors much earlier than previously thought. These flutes were found alongside personal ornaments and figurative art, reinforcing the idea that music may have helped strengthen social bonds and possibly gave early humans a competitive edge over Neanderthals. The discovery pushes back the timeline for human artistic expression and technological innovation, indicating that modern humans had already settled in central Europe before a major cold phase around 39,000 to 40,000 years ago. Radiocarbon dating of bones from the same archaeological layer confirmed the age of the flutes, and independent testing by labs in England and Germany verified their authenticity. While some debate exists over whether a 50,000-year-old bone from Slovenia (the Divje Babe flute) is a true instrument made by Neanderthals, the Geißenklösterle flutes are widely accepted as human-made and represent a clear milestone in cultural evolution. These artifacts can demonstrate the importance of music in early human societies, possibly serving ritual, recreational, or communal functions that supported larger social networks. The flutes also place the Swabian caves region as a key corridor for the spread of human innovation into Europe. Their age predates similar finds in Italy, France, and England, making them crucial to understanding the origins of human creativity in Europe.
~41,730–41,340 BP
Stajnia Ivory Pendant
Discovered in 2010 at Stajnia Cave in southern Poland, this ivory pendant dates to approximately 41,500 years ago, making it the oldest known punctate ornament ever found in Eurasia. It was directly radiocarbon dated, which is significant because most comparable objects from this period rely only on indirect stratigraphic dating. The pendant itself is a small oval piece of mammoth ivory, roughly 4.5 cm long and 1.5 cm wide, decorated with at least 50 punctures arranged in an irregular looping curve. It has two drilled holes, suggesting it was worn or carried. The decoration was almost certainly made while the ivory was still fresh, meaning the carving and the animal's death were closely connected in time. What makes this find genuinely important is that it pushes back the established timeline for symbolic behavior and personal ornamentation among Homo sapiens in Europe by around 2,000 years compared to previously known examples. It also challenges the Kulturpumpe hypothesis, which held that the Swabian Jura region of Germany was the birthplace and diffusion center of early European art and body adornment. The discovery in Poland suggests the picture was far more geographically widespread and complex than previously thought.
~40,000 BP
Porc-Epic Ochre Processing Tools
Th shows a sandstone slab that was used as a lower grindstone at Porc-Epic Cave in Ethiopia. This artifact is significant because it provides direct evidence of how early humans processed ochre, a type of iron-rich mineral. The surface of the slab displays smoothed areas and microstriations, which are signs of repeated grinding actions. These modifications indicate that the slab was used to crush and pulverize ochre lumps into fine powder. The presence of ochre residues on the surface confirms its use in this activity. The artifact is important because it demonstrates the technical skills and behavioral complexity of Middle Stone Age people. It shows that they had the knowledge to select appropriate materials for specific tasks and the ability to produce ochre powder of different coarseness and shades. The use of this tool also suggests that ochre was processed for various purposes, including symbolic activities like body painting or utilitarian functions such as hafting tools. The analysis of this artifact contributes to our understanding of early human cognitive and cultural development.
~30,000+ BP
Vogelherd Horse
The Vogelherd Horse is a small, 35,000 to 32,000-year-old sculpture carved from mammoth ivory, discovered in Vogelherd Cave in southwestern Germany, and is considered the oldest known depiction of a horse made by modern humans. It measures just 2.5 cm in height and 4.8 cm in width, with detailed engravings of the mouth, nostrils, eyes, and mane, suggesting advanced artistic skill and keen observation of animal anatomy. The figurine was found alongside other ivory carvings of mammoths, bison, and lions, indicating that the cave was a significant cultural and possibly ritual site during the Aurignacian period. Its realistic form and placement deep within the cave suggest symbolic or spiritual meaning, perhaps tied to hunting or animal veneration, rather than mere decoration. The sculpture’s age predates famous cave paintings like those at Lascaux by over 10,000 years, proving that complex symbolic thought and artistic expression emerged much earlier than previously believed. Today, it is housed in the Museum Schloss Hohentübingen in Tübingen, Germany, and continues to fascinate researchers studying the origins of human creativity.
~12,000 BP
Hilazon Tachtit Burial Turtle Shells
The burial at Hilazon Tachtit in Israel includes more than 50 complete tortoise shells placed around the body of a woman. These shells were arranged with care under her skull, near her pelvis, and along the grave’s edges. The shells were not broken during burial but show signs of being opened while fresh, likely to remove the meat before burial. The tortoises were probably gathered alive and brought to the site for the burial event. Alongside the shells, the grave held rare animal parts such as eagle wing bones, wild boar forearms, and a leopard pelvis. The woman was elderly and had physical disabilities. The grave was built with special effort, including a sealed stone lid and stones placed on her body to hold it in place. The items and the care taken suggest she held a special spiritual role in her community. The burial is interpreted as that of a shaman, a spiritual figure who connected with animal spirits and held high status.
~6,800 BP
Yellow Blade
The yellow blade pictured was placed under the head of the individual buried at Mondeval de Sora, a Late Mesolithic site in the Italian Dolomites dating to around 6400 BCE. The person was a robust male in his 40s, buried with over 60 carefully arranged items, including tools, ornaments, and organic materials, suggesting he held a notable role. The blade is made from Scaglia Variegata Alpina chert, sourced from the Baldo Lessini region, roughly 75 to 150 kilometers away. It measures about 100 mm in length and 20 mm in width, unusually large for its time. It shows clear signs of use, including semi circular edge removals and a smooth matte micro polish, consistent with scraping hard animal materials like antler. It was made using the punch technique, indicating advanced knapping skill. Unlike the two blades above the shoulders, which were unused, this one was actively worked before burial, possibly reflecting its functional and symbolic value.
~3,500-3,000 BP
Anglo-Saxon Cremation Urn
This Anglo-Saxon cremation urn from Ingham Suffolk is part of a museum collection of 40000 items and holds fragments of human remains along with a metal brooch nail and possible comb studs as revealed by a noninvasive CT scan conducted at The Portland Hospital with the help of Robert Hill FSA. The urn had been repaired at some point and does not contain a full skeleton suggesting selective deposition of remains typically from the head and chest which may reflect spiritual beliefs about the spirit residing in the head or the ritual transformation of identity through cremation. Cremation during the 5th and 6th centuries AD was a complex costly rite often involving communal pyres and the deliberate mixing of remains which could signify social reconstitution or symbolic passage to the afterlife rather than individual burial. The urns themselves were often decorated while the clay was soft using finger dimpling incised lines or stamped patterns and though cremations rarely included weapons they frequently held personal items like jewelry which may have conveyed gender or life stage rather than wealth. The urn is important because it provides insight into Anglo-Saxon funerary practices beliefs about death and the afterlife and the social meaning behind the ritual transformation of the body and identity through fire and deposition.
Middle Ages, Renaissance, Early Modern Period, Modern Era (1,500 BP – present)
~1,415-1,395 BP
Prittlewell Prince's Gold
The Prittlewell Prince burial, discovered in 2003 in Essex, England, is a high status Anglo Saxon chamber grave dating to approximately 580 to 605 AD. It is the earliest dated princely burial in England. The burial contained around 110 artifacts including a lyre a sword a hanging bowl and two small gold foil crosses placed over the eyes of the deceased. The crosses are significant because they suggest early Christian connections. However their design which is a simple Latin cross without attachment holes differs from continental examples. This may reflect symbolic ties to Romanitas rather than personal faith. The burial's early date predates St Augustine's mission in 597 AD. This implies the occupant may have been linked to Kentish royalty possibly Sæxa brother of King Sæberht. The artifacts including imported items like a Syrian flagon highlight the individual's elite status and international connections. The burial chamber is 4 meters square and is the largest ever found in England. It was excavated to modern standards allowing detailed reconstruction of its contents and context. The artifacts are now permanently displayed at Southend Central Museum.
~1,000-1,500 BP
Birka Grave 624 Game Piece
The twenty-seven lathe-turned bone gaming pieces from Birka Grave 624 were found with an iron-mounted wooden board and represent a complete Hnefatafl set, a strategic Viking board game. The king piece is distinguished by a bronze mount and stands 3 cm high, while the others are 2 cm, with six smaller pieces possibly indicating functional differences. The set was placed near the body in the grave, indicating its importance for the afterlife. Hnefatafl was a game of asymmetric warfare, where one player defended a king and the other sought to capture him, reflecting military strategy and leadership. Its presence in elite graves, including those of high-status warriors, shows that strategic thinking was valued and associated with authority. The game appears in Norse literature and was often buried with individuals to signify their tactical skill and social rank. Board games have been part of human culture for about 7,000 years, with the earliest known example being Senet from ancient Egypt around 3500 BCE. These games reflect the development of structured thought, social interaction, and symbolic behavior in human societies. Usually, people want something to do before they die.
20th c.
Graseby Syringe Driver (MS 16A)
The Graseby MS 16A is a critical medical artifact because it revolutionized symptom management by enabling continuous, portable drug delivery outside of hospital intensive care units. It is an ideal 20th-century artifact because it mirrors the era's shift toward miniaturization, battery-powered consumer electronics, and the movement of complex medical care from clinical wards back into the domestic home. As a human invention, it represents the prioritization of patient autonomy and the "good death," marking a transition from merely curing disease to humanely managing the end of life. What is a good death? Dr. Martin Wright, a prolific British biomedical engineer, invented the device in the mid-1970s. He originally developed it at the request of pediatrician Bernadette Modell to help children with thalassemia receive life-saving iron-chelation therapy at home rather than being tied to hospital equipment. This origin is a great example of the human drive to reduce the burden of illness (and death) on families. The importance of the device eventually grew beyond its original purpose when it was adopted by the burgeoning hospice movement in the late 1970s. It provided a reliable way to administer a steady stream of analgesics subcutaneously, which effectively eliminated the "peak and trough" of pain that occurred with intermittent manual injections. However, the device also represents the complexities of technological progress, as its nearly identical appearance to the daily-rate MS 26 model led to numerous fatal dosing errors that eventually prompted its replacement by more modern, digital alternatives.
Present
Swissphone RES.Q POCSAG pager
The Swissphone RES.Q Hybrid POCSAG pager is a rugged, mission critical alerting device designed for emergency services and critical infrastructure. It combines traditional POCSAG radio paging with cellular networks (2G, 3G, or LTE-M) to ensure alerts are delivered even when one network fails. This dual connectivity makes it highly reliable in remote areas, underground locations, or during natural disasters where cellular signals may be weak or down. It supports two way messaging so users can confirm receipt of alerts or send status updates. Some models include GPS and Bluetooth for precise location tracking, and an SOS button that automatically sends location and alert to a control center. The device uses IDEA 128 bit encryption to secure messages and has a long battery life, especially when using LTE-M. It is built to withstand harsh environments and is used by fire departments, ambulance services, and utility companies to maintain communication when other systems fail. Pagers are important to humanity because they provide a simple, robust, and low power way to send critical alerts when other communication systems are overloaded or unavailable. In emergencies like hurricanes, earthquakes, or cyberattacks, pagers often remain functional when cell towers fail or networks collapse. This reliability saves lives by ensuring first responders and essential workers can be reached quickly and consistently, even in the most challenging conditions.
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